Curtis calls these exercises "deconstructions," and it's an apt term. All the finished pieces can be viewed on Curtis's site (www.hillmancurtis.com/book). With his help, you reconstruct each Flash movie with no step overlooked. They range from type animation (Macromedia Shockzone) to his bandwidth-skinny (20K) navigational, an interactive media site created with action scripting, a streaming visual poem with MP3 audio and many other techniques. The spots are all aesthetically elegant, vibrant, and cutting-edge in terms of design and typography and are even a pleasure to work with.

The author is first and foremost a designer. The book demonstrates the importance of conceptualizing the clients' needs and how to preplan and storyboard the projects. It documents the motivations behind even the smallest design decisions, making this book valuable as a teaching tool and not just a grab bag of hotshot how-tos. Each project takes time, but even beginners can re-create the Flash movies. The steps are clearly explained and illustrated with screen shots. The artwork, however, is not provided. To work along with the deconstructions, readers will have to create similar art, film, and sound files.

Those aware of Hillman Curtis's work will also be familiar with that of the book's designer, Todd Purgason of Juxt Interactive (juxtinteractive.com). The layout for Flash Web Design evokes the layered, motion-through-structure style of Purgason's Web design (lundstromarch.com) and makes one wish the book also existed in movie format. In fact, Purgason's methodology is presented in the last chapter, where he shows the benefits of using Freehand in conjunction with Flash. --Angelynn Grant